"il muro" | "the wall"
spring 2019
KSU florence | 3B Abroad Design Studio
prof. Andrea Ponsi
florence, italy
featured: "overall best studio projects of 2019"
studio _ Founded in 1321, and among some of the oldest universities in the world, the University of Florence holds an important place in the academic life of its namesake city. In a community that strives to preserve its Renaissance charm, this project calls for an addition to its humanities library located off Piazza Brunelleschi [ named for the architect Filippo Brunelleschi who designed the octagonal church located in the square, he is also famous for being the architect of the cathedral of Florence's famous dome ]. The piazza consists of the former church, now used by the university for offices, the entrance to the library building; a small tree-filled walkway to the cloister entrance, and an old classroom annex that for the purposes of this studio is assumed to be demolished. The program is that of a student center complex, within contained; a retail bookstore, a study hall, gallery, student lounges, a large multipurpose auditorium, small lecture hall, and an attached cafe | espresso bar. At the moment, the piazza is used predominatly as a parking lot for the library and surrounding residences. Under utilized and somewhat ignored, this project seeks to breathe new life into the area and provide the college a contemporary face in an ancient city, the main challenges of the project being how to create a modern building in a context where anything post 17th century would feel out of place.
project _ "Il Muro" derives its name from the point that many of Florences larger residences + buildings consists of interior courtyards and cloisters, hidden from the public eye by an imposing, protective street facade. These "urban castles" typically consist of a thick stone facade, with much of the important program placed on the outside allowing for the most daylight possible, with an inward-facing courtyard opposite. From these inward-facing palazzos came the inspiration for the overall form of the project. The exterior is faced with local "Pietra-forte" stone, a similar stone is used throughout the city for large grand civic buildings. Utilizing a grasshopper script to randomly stagger the course of the stones, it also allowed for different textures, finishes, and depths to add interest and soften what would otherwise be a large blank wall. Upon passing through the bookstore entrance into the gallery beyond one enters into the "cloister" an interior courtyard space surrounded by the building providing refuge from the busy street beyond. During the daytime when it is populated by students the courtyard is meant to be open to the street and at night, when classes are over for the day large gates close off the courtyard to prevent loitering/ vandalism. On the eastern wall, the espresso bar acts as a mass thrust into the wall. With large glazed walls that can be slid open the bar allows for customer flow either out from the building or into the courtyard during periods of fair weather. Programatically, the first floor acts as a public space while the second is more private and reserved for students, with ample study spaces and lounge seating.